Throughout January and February, the company will host three distinguished choreographers—Nycole Ray, Avree Walker, and ...
Next weekend, the Auditorium Theatre will host Star Dust: From Bach to Bowie, an electrifying dance tribute to rock legend David Bowie performed by Complexions Contemporary Ballet. Based in New York ...
Chicago’s National Landmark Auditorium Theatre has revealed its 2024-25 performance season presenting a vibrant mix of contemporary and culturally significant dance companies, and the return of the ...
CLEVELAND, Ohio --Ohio Contemporary Ballet returns to Playhouse Square Friday, Feb. 28 with “Echoes and Innovations.” The performances focus on influential choreographers of the past and visionary ...
SHAKER HEIGHTS, Ohio - Get a glimpse of contemporary ballet’s future at the “Emerging Choreographers Showcase” on Friday and Saturday, March 22-23, at Ohio Contemporary Ballet’s studio theater in ...
Steppenwolf’s LookOut series steps up. The Joffrey and Hubbard Street have winter series. And look for some big-name ...
White Bird presents four companies including Urban Bush Women while Oregon Ballet Theatre revives "Sleeping Beauty" and World ...
On Thursday, April 17, an excited audience the Frederick C. Tillis Performance Hall at the Bromery Center for the Arts in preparation for an evening of dance performance. As the conversations ended ...
From the ashes of one fallen dance company rose another. When the pandemic effectively dissolved Aspen Santa Fe Ballet, Aspen’s highly trained professional dancers who made up the troupe were out of ...
Renowned New York City-based dance company Complexions Contemporary Ballet will take the stage at the University at Buffalo Center for the Arts (UBCFA) for one night only on March 28, 2026 at 7:30 p.m ...
Ballets can and do find ethereal inspiration in epic ideas that have flowered through the eons, as well as those enduring myths that have grown, and transformed, over millennia. Stream Los Angeles ...
Hofesh Shechter thinks we are confused by modern dance. “People are misguided,” he says. “English audiences, in particular, expect to come in, understand it, and have a good conversation about it ...