Take a behind the scenes look at a detailed textile conservation treatment by Howard Sutcliffe, Principal Conservator at River Region Costume and Textile Conservation. This fragile silk satin and velvet ottoman by Gustave Herter was carefully stabilized using a thermoplastic adhesive coated net overlay to help support the splits in the satin and hand-dyed patching to protect its delicate structure, without compromising the raised velvet design. Conservation work like this is made possible by the
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Take a behind the scenes look at a detailed textile conservation treatment by Howard Sutcliffe, Principal Conservator at River Region Costume and Textile Conservation. This fragile silk satin and velvet ottoman by Gustave Herter was carefully stabilized using a thermoplastic adhesive coated net overlay to help support the splits in the satin and hand-dyed patching to protect its delicate structure, without compromising the raised velvet design. Conservation work like this is made possible by the
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There’s something so satisfying about cutting, stitching, and fraying fabric — the way it transforms with every mark and thread pulled. I love how much texture and movement it creates. The final piece feels so fragile and delicate, almost hanging by threads — but that’s part of its beauty. Have you ever tried this technique? #fblifestyle #textileart #slowstitching #fabricmanipulation | Rebekah Johnston Textile Artist
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